‘With the metaphor of the Chinese box Brian McHale in his book Postmodernist Fiction explains a frequent phenomenon in postmodernist literature. The phenomenon whereby a story-line is interrupted by another story, thus creating a discontinuity that may be subtle as in the case of Hamlet’s play-within-the-play, where each story represents a different ‘world’. The purpose of these novels-within-the-novel; still-photographs-within-the-novel; films-within-the novel in modernist literature “serves as a tool for exploring issues of narrative authority, reliability and unreliability, the circulation of knowledge, and so forth.” In postmodernist literature these different interrupting worlds/narratives are so frequent that the original narrative sometimes gets lost. Attention is drawn to the fact that we can never know the complete truth, we are only capable of knowing a truth, and different Chinese boxes will give us different (sometimes conflicting) information about different worlds.’
– McHale, B. 1987. Pöstmödernist Fiction London, United Kingdom: Methuen Inc. p. 113
Knowledge Guild 