Orwellian and Huxleyan Dystopias


Journalist Christopher Hitchens, who himself published several articles on Huxley and a book on Orwell, noted the difference between the two texts in the introduction to his 1999 article “Why Americans Are Not Taught History”:

We dwell in a present-tense culture that somehow, significantly, decided to employ the telling expression “You’re history” as a choice reprobation or insult, and thus elected to speak forgotten volumes about itself.

By that standard, the forbidding dystopia of George Orwell’s Nineteen Eighty-Four already belongs, both as a text and as a date, with Urand Mycenae, while the hedonist nihilism of Huxley still beckons toward a painless, amusement-sodden, and stress-free consensus.

Orwell’s was a house of horrors. He seemed to strain credulity because he posited a regime that would go to any lengths to own and possess history, to rewrite and construct it, and to inculcate it by means of coercion. Whereas Huxley rightly foresaw that any such regime could break because it could not bend. In 1988, four years after 1984, the Soviet Union scrapped its official history curriculum and announced that a newly authorized version was somewhere in the works.

This was the precise moment when the regime conceded its own extinction. For true blissed-out and vacant servitude, though, you need an otherwise sophisticated society where no serious history is taught.

Some years before that, the social critic Neil Postman had contrasted the worlds of Nineteen Eighty-Four and Brave New World in the foreword of his 1985 book Amusing Ourselves to Death:

  • What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one.
  • Orwell feared those who would deprive us of information. Huxley feared those who would give us so much information that we would be reduced to passivity and egotism.
  • Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance.
  • Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy.
  • In Nineteen Eighty-Four, Orwell added, people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure.
  • In short, Orwell feared that what we fear will ruin us. Huxley feared that our desire will ruin us.

Truth


When contemplating the property truth, as with knowledge, it turns out to be very difficult to provide an uncontentious analysis. Because of its many different conceptions and dimensions, the full value of truth is surprisingly hard to capture. To that end, below is a list of quotations to help sketch a definition of the property truth.

“No persons are more frequently wrong, than those who will not admit they are wrong.”
– François de La Rochefoucauld

“Men occasionally stumble over the truth, but most of them pick themselves up and hurry off as if nothing ever happened.”
– Winston Churchill

“The truth is rarely pure and never simple.”
– Oscar Wilde

“The truth will set you free, but first it will piss you off.”
– Gloria Steinem

“The unexamined life is not worth living.”
– Socrates

“If you tell the truth, you don’t have to remember anything.”
– Mark Twain

“Facts do not cease to exist because they are ignored.”
– Aldous Huxley

“Art is the lie that enables us to realize the truth.”
– Pablo Picasso

“The more I see, the less I know for sure.”
– John Lennon

“Books are mirrors: you only see in them what you already have inside you.”
– Carlos Ruiz Zafón

“There are no facts, only interpretations.”
– Friedrich Nietzsche

See more: Approximations

Depth Perception


The human eye uses three methods to perceive and determine distance:

“The more I see, the less I know for sure.”
– John Lennon

The size a known object has on your retina – if you have knowledge of the size of an object from previous experience, then your brain can gauge the distance based on the size of the object on the retina.

“There are things known and there are things unknown, and in between are the doors of perception.”
– Aldous Huxley

Moving parallax – when you move your head from side to side, objects that are close to you move rapidly across your retina. However, objects that are far away move very little. In this way, your brain can tell roughly how far something is from you.

“All things are subject to interpretation. Whichever interpretation prevails at a given time is a function of power and not truth.”
– Friedrich Nietzsche

Stereo vision – each eye receives a different image of an object on its retina because each eye is about 2 inches apart. This is especially true when an object is close to your eyes. This is less useful when objects are far away because the images on the retina become more identical the farther they are from your eyes.

“What you see and what you hear depends a great deal on where you are standing. It also depends on what sort of person you are.”
– C.S. Lewis, ‘The Magician’s Nephew’