“What is the good of having a nice house without a decent planet to put it on?”
– Henry David Thoreau
“What is the good of having a nice house without a decent planet to put it on?”
– Henry David Thoreau
‘With the metaphor of the Chinese box Brian McHale in his book Postmodernist Fiction explains a frequent phenomenon in postmodernist literature. The phenomenon whereby a story-line is interrupted by another story, thus creating a discontinuity that may be subtle as in the case of Hamlet’s play-within-the-play, where each story represents a different ‘world’. The purpose of these novels-within-the-novel; still-photographs-within-the-novel; films-within-the novel in modernist literature “serves as a tool for exploring issues of narrative authority, reliability and unreliability, the circulation of knowledge, and so forth.” In postmodernist literature these different interrupting worlds/narratives are so frequent that the original narrative sometimes gets lost. Attention is drawn to the fact that we can never know the complete truth, we are only capable of knowing a truth, and different Chinese boxes will give us different (sometimes conflicting) information about different worlds.’
– McHale, B. 1987. Pöstmödernist Fiction London, United Kingdom: Methuen Inc. p. 113
“Friends, with your help and love you have shown us how to make sense of the world, and when the world hasn’t made any sense at all you told us to sit back and enjoy it; you taught us what’s right, what’s real, what’s beautiful about this planet, and for that we are eternally grateful.”
– Richard Solomon